British Bone China vs. Japanese Pottery
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Ceramics, an eternal art form, unveils the distinct cultural flavours of different nations as we immerse ourselves in their beauty. In recent history, the craftsmanship of British bone china and Japanese pottery has captured the hearts of Europeans. What makes these two pottery traditions distinctive and appealing to customers?
British Bone China: The Triumph of Elegance
When delving into the realm of British pottery, Stoke-on-Trent, a city in the West Midlands of England, takes centre stage. It has long been regarded as a global hub for fine ceramics, particularly bone china. As the Industrial Revolution took hold in the 17th century, the British were already shaping pottery in Stoke-on-Trent. This era coincided with Britain's obsession with tea culture, and with the influx of Chinese ceramics through trade, the domestic pottery industry flourished. It birthed an array of British-style ceramic marvels, each boasting unique patterns and artisanal techniques.
In 1748, Anglo-Irish innovator Thomas Frye pioneered the creation of bone china in East London. Subsequently, British potter Josiah Spode fine-tuned and perfected the craft of bone china in Stoke-on-Trent.
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What is Bone China?
Bone China is a globally renowned porcelain that is painstakingly moulded with precision using moulds and is composed of a material blend containing roughly 40–42% animal ashes. Fired at a scorching 800°C and then glazed at temperatures of 1150–1175 °C, this meticulous process bequeaths bone china with its distinctive sheen and irresistible allure. Today, eminent British bone china tableware brands include Wedgwood, Royal Doulton, Royal Worcester, Aynsley, and many others.
Related article: Understanding Pottery and Porcelain: What are the Differences?
Japanese Ceramics: A Symphony of Diversity
Japanese pottery boasts an equally rich heritage, tracing its roots back to the Heian period . Over time, it evolved into distinct regional styles, notably embodied by the six renowned "ancient kilns" of Shigaraki, Tanba, Bizen, Tokoname, Echizen, and Seto. Japanese pottery received influences from neighbouring China, Korea, and Vietnam, resulting in innovative designs that elevated their simplicity and refinement.
By the late 16th century, Japanese pottery had been inspired by Buddhist principles and returned to minimalist designs. This led Japanese pottery to branch into two distinct design directions: one pursuing simplicity, ruggedness, and asymmetry, while the other aiming for perfection in appearance and colour, particularly in high-quality porcelain.
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The late 1600s marked a surge in international trade, intensifying the demand for Japanese pottery in global markets. Japan's introduction of blue and white porcelain to the European market around 1665 was a turning point. These ceramics gained immense popularity, propelling Japan to become the second-largest producer of pottery.
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What are the features of Japanese Pottery?
Japanese pottery is predominantly handcrafted, often reflecting the influence of local culture, natural surroundings, and minimalism in its design and production processes. This results in a cornucopia of colours and textures, seamlessly blending modern simplicity with traditional sophistication. Particularly, Mino ware in Gifu Prefecture and Setonoyaki in Aichi Prefecture stand out as beloved styles.
In summation, British bone china epitomises elegance, while Japanese pottery celebrates diversity and the beauty of nature. Both nations bask in global acclaim for their unwavering commitment to traditional craftsmanship, offering an unparalleled voyage into the realm of ceramic art. So, in our daily lives, how do British and Japanese ceramic tableware fare in terms of utility and classification? Stay tuned for our next installment to uncover more.